5 años de espera desde su último film “Amor”con el que consiguió El Oscar, la palma de oro, el globo de oro, el Cesar etc. 2017 Drama Film Happy End Movie Review. But there is something irresistible about the director’s hostile precision and the way in … Happy End is a Haneke mega mix, and the haters are very much gonna hate. This is the eerily self-possessed and computer-savvy Ève (Fantine Harduin) whose mother is now terribly ill in hospital after a drug overdose, the cause of which is queasily unclear. [Full Review in Spanish] The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them, Last modified on Thu 30 Nov 2017 10.28 GMT. 5. stars 4 out of 5 stars. There’s an honesty and realism I find in Happy End that American films with similar themes lack. He’s concocted a plot just busy enough to distract from these worn cynicisms and a set of characters too enigmatic to dismiss as mere chess pieces off the bat, but by the end, Happy End reveals itself as something vacuous and cold, a bizarrely seductive pseudo-thriller lacking a … It is not a new direction for this film-maker, admittedly, but an existing direction pursued with the same inspiration as ever. Sinopsis: La película gira en torno a una familia burguesa que posee una empresa en Calais, al lado de los campamentos donde viven miles de refugiados. One character’s face is in fact never shown clearly at all – a diabolically apposite device. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. And the final images got something between a laugh and a wince. It is not a new … 8/10. It is perhaps not top-notch Haneke but Happy End is an intermittently gripping film about loveless people in a joyless world. y que logró recuperar a Jean Louis Trintignant retirado del cine desde 2003 y con el que vuelve a colaborar en esta película ya que según él considera a Haneke el mejor director vivo del mundo. Happy End is the most recent and brilliant chapter of an ideological and cultural journey on the decadency of the bourgeois society in Europe. La película airea los trapos sucios de una familia burguesa de Calais. Anne’s drunken deadbeat son Pierre (Franz Rogowski), supposedly a site supervisor, has through negligence allowed a catastrophic accident which puts the firm in line for a huge civil suit. It has an … Happy End begins with Lucca, a successful student on track to follow her father’s footsteps into law. Read full review Dicho así, no puede parecer más apetecible, pero el resultado no convence. It is unmistakably his work, presented with his usual masterly compositional flair, a mosaic of horror, filmed by cinematographer Christian Berger in crystal-clear light, often with icily detached long-shot camera positions. Michael Haneke’s new film finds dark wit in assisted suicide, overdoses and the refugee crisis. La familia vive en el Calais actual como podría tratarse de otra ciudad, en otra época. But it is a tiny, almost microscopic incursion, a nasty little assault that perhaps belongs to the schoolyard, in keeping with the register of malign absurdity. The final images of the movie may intend an echo of Samuel Beckett’s Happy Days, and the unusual presence of a British actor, and the seaside location, made me wonder if Haneke, like Alain Resnais, had conceived an interest in that often underestimated master of middle class horror: Alan Ayckbourn.
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